This summer at Red Earth Icons has been focused on a project: To reintroduce the studio’s fine art icon prints. After the move to Alberta last year, all the papers and equipment used to create our prints stayed in their moving boxes while the space took shape and other work in the studio took precedence.
Sts. Zenaida and PhilonellaThe Charitable Physicians— October 11th — The story of Zenaida and Philonella is not well known in the Catholic Church, but it really should be. These two early Christian saints were bright, intelligent women who are the first canonized medical doctors for their work as physicians in the church. Through them we
With the angel and the youths depicted in The Fiery Furnace, all that was left was the rendering of the soldiers in the bottom third of the icon. And, it was here that I think the vision inspired by St. Basil’s commentary on the nature of fire in consumption and illumination really took form. The
In sketching a cartoon for the icon of the Fiery Furnace, I found that it divided quite naturally into three horizontal layers. In the centre layer were the three young men and their prayerful worship of God. As my pencil moved to the upper third of the icon’s drawing, The Angel of the Lord began
To my understanding, there are many ways an icon can beautifully depict an event. The most simple of these is a historical narrative. In this case, the iconographer brings together scripture, tradition, and history, and renders an image of that event. The result of such icons can be beautiful and meaningful as the icon weaves
In the Book of Daniel, there is an account of four young men who are forcibly taken from their home in Jerusalem to serve in the Babylonian courts after the city falls to the armies of King Nebuchadnezzar. The most famous youth is Daniel himself, whose exploits are recorded throughout the book, but in the third chapter, we also have an account of Shadrach, Meshach, and Abednego—his countrymen and fellow captives. The icon of The Fiery Furnace centres on the story of these young men.
One of the icons painted this summer was Noah the Just. As a saint chosen to be part of the studio’s Icons at Home Project, and as an icon that I was planning to highlight in an article for Mortise & Tenon, it was one that I looked forward to on many different levels. What I
Without a doubt, my favourite woodworking magazine is Mortise & Tenon. It is a publication that always has exceptional and profound articles, along with photos that are beautiful and inspiring. Last year the editors and I spoke about the possibility of writing for them on the topic of making an icon panel, and I’m delighted
The belief that icons reveal the eternal truth embodied in Jesus Christ within the place and time is at the centre of the studio’s work here in Conestoga. It was with great joy that the studio accepted a commission to paint an icon of the Washing of the Disciples’ Feet last year. The Washing of
Ever since I did the 100 Mile ART Project for the city of Cambridge in 2008, the studio has used indigo for its blue pigment. Finding a local blue in southern Ontario was one of the project’s biggest challenges. As with most of the work, it was the fantastic community that formed around the project