A four-part series by Liturgical Artist Symeon van Donkelaar at the Mount Carmel Spirituality Centre Mount Carmel Spirituality Centre is pleased to invite you to a series of talks exploring the role of the visual arts in the World, the Church, and at Home. Beginning with a broad overview of the way in which good
The paintings planned for the Faith at Home project represent a significant development for my work at the Red Earth Iconography studio. For the past 20 years, the studio’s work has been focused on creating original icons painted in egg tempera on handmade wooden panels and gilded with gold leaf for churches and homes across
This summer at Red Earth Icons has been focused on a project: To reintroduce the studio’s fine art icon prints. After the move to Alberta last year, all the papers and equipment used to create our prints stayed in their moving boxes while the space took shape and other work in the studio took precedence.
Sts. Zenaida and PhilonellaThe Charitable Physicians— October 11th — The story of Zenaida and Philonella is not well known in the Catholic Church, but it really should be. These two early Christian saints were bright, intelligent women who are the first canonized medical doctors for their work as physicians in the church. Through them we
I’ve been invited to give a public talk by the University of Toronto Art History Department about my work as an artist and iconographer on February 8th. I’m looking forward to sharing images of some of my latest icons, talking about the tradition that informs them, and why they’re made the way they are. I
As I’ve already shared, the studio has had many changes over the past six months. There have been many different threads underneath the upheaval, but an important one for the studio has been the desire to work without contending with so many business considerations. Over the past five years, to keep the studio financially viable
It’s been three months since our family pulled up with our two-car convoy setting off to our new home in central Alberta. Although the landscape we travelled was awe-inspiring, we arrived pretty exhausted after months of packing, saying our goodbyes, and dealing with twenty years of accumulated stuff in my barn and studio. It was