O Come, O Come Emmanuel!

From The Nativity of Jesus Christ, 2024.

About Symeon

Symeon has been working as a liturgical artist for over 30 years. While he is best known for his work as an iconographer, when the occasion merits, he also teaches, draws, builds, writes, and walks the land. He currently lives with his family in Edmonton, Alberta, who, from time to time, help in his different artistic endeavours.

A love of simple beauty naturally tunes Symeon’s hand and eye, and his mind travails the rambling thoughts necessary to tell a good story. This makes his perception of the world around him unique, but from it, he has cultivated a sense of wonder and curiosity. Drawing from his Catholic faith, family, and the land, he paints the cosmos inspired by each’s stories, traditions and presence.

Over his many years of working as an artist, countless friends have taught and blessed Symeon and supported both him and his art. Every morning, he begins his day’s work in gratitude to the wife and children—as well as the teachers, priests, monks, scientists, writers, craftsmen, farmers, patrons, curators, and even the occasional messenger of God—who have helped in his work in their love and generosity.

Christmas 2024

Upcoming Events

Advent Blog Series

During Advent, Symeon will be sharing about his recent completion of an icon of the Nativity and some of the things he loves about. To see the posts made so far, please click here.

Latest Post


Conestoga Icons

When Symeon was ordained as an iconographer in 2002, he was given a two-part commission by his teacher—First, to go and set up a studio (which became Conestoga Icons) and second, to evangelize by developing a style of iconography translated for the Americas. Realizing the way in which the land has inspired every culture through mankind’s history, Symeon made the choice to root his studio’s iconographic practice to the land upon which it stood in the little village of Conestoga in Ontario, Canada. And, through years of adventure, learning, and toil, he came to receive from the land all the lumber, pigments, and binders necessary to create an icon’s panel, paint, and varnish. It is because of this approach to making an icon that the studio has affectionally received the unofficial motto, “There must be a harder way to do this.”

As was hoped, working with such wonderful local materials and listening to their colours has blessed Symeon’s hand and eye. Through the influence of these local colours and the study of liturgical styles based on such beautiful limited means—such as the Romanesque or ancient Coptic—a distinctive style of iconography which resonates with many people living in North America continues to be practiced and developed in the studio. Through this style, the studio hopes to bring the real presence of Jesus Christ and his saints—those men and women fully alive in the Spirit—into the lives of those living here.

Today, the studio’s icons—all painted out of the colourful dirt pigments harvested along the village’s river—can be found in homes, chapels, and churches across North America and Europe, with high-quality art prints from each of these blessing countless homes around the whole world.

To inquire about commissioning an icon for your own church or home, please contact Symeon directly, or visit the studio’s Fine Art Prints section to see some of the paper icons currently available.


Recent Icon Articles

Saints Zenaida and Philonella

Saints Zenaida and Philonella

Sts. Zenaida and PhilonellaThe Charitable Physicians— October 11th — The story of Zenaida and Philonella is not well known in the Catholic Church, but it really should be. These two early Christian saints were bright, intelligent women who are the first canonized medical doctors for their work as physicians in the church. Through them we …

Read more …

Kind Words

His Icons lead one into a renewed Spirit of reverence and celebration.

It is my honor and my privilege to offer this testimonial of Symeon van Donkelaar’s Iconography. His style is elegant and simple and leads one to an experience of effulgence. His use of natural coloring is lustrous and gratifying. Following the traditional cannons of Iconography, he is true to the ancient traditions while offering new and notable interpretations. His Icons lead one into a renewed Spirit of reverence and celebration.
Fr. Edward J Tomasiewicz
Of blessed memory. Retired faculty member, DePaul University.

Symeon’s artwork calls us to a more profound regard for our fragile world.

The Incarnation calls us to a deep regard for all creatures, the beauty of flora and fauna, indeed, the earth under our feet. The earth we walk on is a reliquary and the minerals and colours of each particular place a sacred treasure. Symeon’s artwork, drawing as it does on the local palette of the land, calls each of us to a more profound regard for our fragile world, and deeper attention to the Holy Spirit who “is everywhere present and fillest all things”.
David J. Goa
Founding Director, Chester Ronning Centre for the Study of Religion and Public Life

His icons are distinctive and beautiful …

Symeon’s philosophy, his insistence on local color, speaks to the incarnation: as God took on a specific body in a specific place, Symeon’s work is rooted in its particular location. His icons are distinctive and beautiful, at once otherworldly and folksy, both transcendent and intensely human. Grounded in time and place, these beautiful icons testify to God’s presence in our world, here and now.
Elissa Bjeletich
Author and podcaster

I find his work fascinating …

I find his [Symeon’s] work fascinating as it is an exploration of the flatter and more stylized threads of iconography. Lines are bold and highly calligraphic. Color is frank and contrasted like a puzzle. Clothing is abstracted towards simple geometry.  Rather than aiming at post-modern angst and the sense of teetering one gets from the work of Todor Mitrovic or the more illustrative tendency of Nicholas Saric, Symeon’s icons embrace a simple buoyancy.
Icon carver and public speaker